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De Rien Nait Tout Èch urnd012 ‐ 05/2025 Recorded on november 2024 at studio Pierre Vive by Rodolphe Collange
Mixed by Benjamin Maumus at studio GMEA
Mastering by Ananda Cherer
  • Heddy Boubaker : guitare + basse
  • Julien Gineste : sax alto, orgue
  • Erwan Lamer : batterie, percussion, voix
  • Andy Lévèque : sax alto, synthé
  • Walkind Rodriguez : chant, trompette, percussion, harmonica
  • Heddy Boubaker (production)
  • L'espace Du Jeu Heddy Boubaker (e. guitar) urnd011 ‐ 05/2025
    • Le jeu du je ‐ 01:55
    • Glissements ‐ 01:42
    • Visions ‐ 01:08
    • Vol Plané ‐ 01:29
    • Cling Clong ‐ 01:09
    • Glitch ‐ 00:57
    • Explosions ‐ 01:19
    • Intrications ‐ 01:33
    • Pilliers ‐ 02:01
    • Scratches ‐ 00:55
    • Vagues ‐ 01:40
    • Piques ‐ 01:04
    • Double ‐ Tonal 01:40
    • Crispy ‐ 01:17
    • Hallucinations ‐ 01:50
    • Chroma Trauma ‐ 01:28
    • Le je du jeu ‐ 02:32

    [!} This is the kind of stuff that can't be listened to on a phone, or with crappy speakers, use a real stereo diff system or good headphones if you want to appreciate all this at its true value, please.

    Usually, I’m not too keen on lifting the hood and giving a guided tour to explain how an artistic mechanism works. It’s a bit like explaining a joke — if it needs a manual, maybe it’s missing something. But here, I think it’s worth putting words to the process — if only to shed some light on this very particular approach, and perhaps help with understanding (if not appreciating) the result.

    First off — not the most important part, but worth mentioning — the main constraint was to use electric guitars only, and nothing but electric guitars. That’s essentially (with one exception) all you hear here, with very few effects — though at times, many layers, offsets, entanglements, and intricate overlaps.

    More importantly, most of the pieces here were not conceived or composed as music per se (however abstract music might be), but rather as minimalist 4D landscapes. Think of it as a kind of hyper-box (or hypercube), where the extra dimension is time — not as something flowing, but as a spatial arrangement of sonic masses, grains, and textures. I know, it’s hard to picture, and I myself struggle to articulate what I imagined. I had in mind these little 4D boxes — (hyper)dioramas scattered with static textures or blocks of sound.

    The next step was to map this — which, at that stage, existed only in my mind — onto paper (2D, of course), while still trying to avoid representing time as linear flow (so, no traditional score). Finally came the challenge of translating it all using the instrument, with the help of a basic sound editor (in this case, the simple but effective Audacity). I hope that with these few notes, some of the pieces (not all tracks on this recording followed this process — some used a much more conventional approach) might be listened to and appreciated from a perspective other than that of “music” in the usual sense.

    And finally — it was important for me to do everything from A to Z (from conception to editing)... In short, a space of play — and of self. (in French: un espace de je et de jeu)

    L'espace du je

  • Heddy Boubaker (composition)
  • Heddy Boubaker (e. guitars)
  • Heddy Boubaker (edition)
  • Heddy Boubaker (recording)
  • Heddy Boubaker (mixing)
  • Heddy Boubaker (mastering)
  • Heddy Boubaker (cover photo)
  • Heddy Boubaker (design)
  • Heddy Boubaker (production)
  • Ǝlephant EP Ǝlephant urnd010 ‐ 06/2024
    • 1 ‐ La Révolution de la Naine Rouge (3:07)
    • 2 ‐ La Réalité N'a Pas Toujours Raison (3:34)
    • 3 ‐ Ta Gueule C'est Quantique (3:46)
    • 4 ‐ Le Temps Désarticulé (3:19)
    • 5 ‐ L'enfer Des éléphants (5:42)
    Recorded, mixed & mastered by Heddy Boubaker at studio La Maison Peinte, may 2024
  • Bass Saxophone, Tenor Saxophone – Marc Maffiolo
  • Drum, Percussion – Jean-Pierre Vivent
  • Electric Guitar – Heddy Boubaker
  • Artwork By – Petr Válek
  • Heddy Boubaker (production)
  • Un Amour Suprême Tout le monde a en soi une part de guitariste misanthrope, humaniste, sociopathe et empathique Heddy Boubaker (el. guitar) urnd009 ‐ 09/2021 Composé instantanément sans préméditation à la guitare électrique par Mr Heddy Boubaker en février/mars 2021 au studio La Maison Peinte
  • Rodolphe Collange (mastering)
  • Heddy Boubaker (guitar, recording, mixing, production)
  • The Sea Of Intranquility Heddy Boubaker (el . bass, baritone & “standard” guitars, effects) urnd008 ‐ 03/2019
    • 1.The Land Of Infertility - 03:19
    • 2.The Road Of Impracticability - 03:13
    • 3.The Desert Of Luxuriance - 03:54
    • 4.The Language Of Incommunicability - 04:25
    • 5.The Poetry Of Inaudibility - 03:57
    • 6.The Science Of Incomprehension - 04:42
    • 7.The Religion Of Incredibility - 02:28
    • 8.The Concept Of Inconception - 02:26
    • 9.The Limits Of The Infinite - 02:24
    • 10.The Path Of Impassibility - 02:23
    • 11.The Theory Of Wrong - 02:18
    • 12.The Quest Of The Unfindable - 02:59
    • 13.The Ignorance Of The Awareness - 04:25
    All improvisations, played and recorded between oct 2017 & oct 2018 by Heddy Boubaker at La maison Peinte studio. No overdubs, loopers nor effects added on post prod (except some few volume, eq & pan adjustements).
    Recording Heddy Boubaker
    Mixed by Ananda Cherer
    Spécial thanks to RPS & Zorg effects
  • Heddy Boubaker (cover photo)
  • Heddy Boubaker (production)
  • Moura Fiadora Mathieu Calléja (perc) / Gilles Vignes ("e. garden") / Miguel A. Garcia (el) urnd007 ‐ 04/2015
    • Esqina ‐ 4'03
    • Indélébile ‐ 5'55
    • Spit ‐ 11'27
    • Depuis Toulours ‐ 3'49
    First meeting Saturday December 2014 live @ La Maison Peinte (10 years / #100)
    Recorded by Pierre-Olivier Boulant
    Mixing & mastering Gilles Vignes
  • Mathieu Calléja (drums)
  • Gilles Vignes (electric garden, objects, mixing, mastering)
  • Miguel A. Garcia (electronics)
  • Pierre-Olivier Boulant (recording)
  • Heddy Boubaker (production, design)
  • Elena Aitzkoa (drawing)
  • La Maison Peinte Mathieu Calléja (dr) / Nicolas Talbot (cb) / Mathieu Werchowski (vl) urnd006 ‐ 04/2015
    • Le Début de la Fin ‐ 9'32
    • Le Chiffon Rouge ‐ 12'25
    First meeting Sunday December 21 2014 live @ La Maison Peinte (10 years / #100)
    Recording Pierre-Olivier Boulant
    Mixing & mastering Nicolas Talbot
    Cover Drawing Mathieu Calléja
  • Mathieu Calléja (drums, drawing)
  • Nicolas Talbot (double bass, mixing, mastering)
  • Mathieu Werchowski (violin)
  • Pierre-Olivier Boulant (recording)
  • Heddy Boubaker (production, design)
  • La Maison Peinte #100 Mathias Pontevia (dr) / Daunik Lazro (ts) / Miguel A. García (el) urnd005 ‐ 04/2015
    • 1st meeting ‐ 23'31
    First meeting on Friday December 19 2014 @ La Maison Peinte (10 years / #100)
    Recorded by Ananda Cherer
    Drawing by Elena Aitzkoa
  • Mathias Pontevia (drums)
  • Daunik Lazro (tenor saxophone)
  • Miguel A. García (electronics)
  • Ananda Cherer (recording)
  • Elena Aitzkoa (drawing)
  • Heddy Boubaker (production, design)
  • La Maison Peinte #100 Latitude 22,50: Erwan Lamer (dr, vc, snds) / Walkind Rodriguez (tp, maracas, danse) urnd004 ‐ 04/2015
    • Interlude 1 ‐ 6'3
    • Interlude 2 ‐ 3'08
    • Interlude 3 ‐ 12'57
    Saturday & Sunday December 20 & 21 2014 live @ La Maison Peinte (10 years / #100)
    Recorded by Pierre-Olivier Boulant
    Drawing by Walkind Rodriguez
  • Erwan Lamer (drums, voice, sounds)
  • Walkind Rodriguez (trumpet, maracas, dance, drawing)
  • Pierre-Olivier Boulant (recording)
  • Heddy Boubaker (production, design)
  • ACMCAMMACAMCCMAMCA Sébastien Cirotteau (tp) / David Audinet (tb) / Salamy Nitryv (perc) urnd003 ‐ 04/2015
    • ACMCAMMACAMCCMAMCA ‐ 28'46
    First meeting on Sunday December 21 2014 live @ La Maison Peinte (10 years / #100)
    Recording Pierre-Olivier Boulant
    Photo Jérôme Lacoste
  • Sébastien Cirotteau (trumpet)
  • David Audinet (trombone)
  • Salamy Nitryv (percussion)
  • Pierre-Olivier Boulant (recording)
  • Jérôme Lacoste (photo)
  • Heddy Boubaker (production, design)
  • La Chatte Benjamin Duboc (db) / Jonathan Fenez (turntbl.) urnd002 ‐ 04/2015
    • La Chatte ‐ 29'49
    Recording of their first meeting on Friday December 19 2014 @ La Maison Peinte (10 ans / #100)
    Recording Ananda Cherer
  • Benjamin Duboc (doublebass)
  • Jonathan Fenez (turntables)
  • Ananda Cherer (recording)
  • Heddy Boubaker (production, design)
  • The Painted House Jean Philippe Gomez (analog synth, vc) / Guillaume Gargaud (e. gt) urnd001 ‐ 04/2015
    • The Painted House ‐ 22'46
    Live Saturday December 20 2014 @ La Maison Peinte (10 years / #100)
    Recording Pierre-Olivier Boulant & Jean-Philippe Gomez
    Mixed & mastered by Jean-Philippe Gomez & Guillaume Gargaud
  • Jean Philippe Gomez (analog synthetizer, voice, recording, mixing, mastering)
  • Guillaume Gargaud (electric guitar, mixing, mastering)
  • Pierre-Olivier Boulant (recording)
  • Heddy Boubaker (production, design)